|Making beautiful photographs involves nothing more than a bit of thought. While it often helps to have decent equipment, all you really need is to take a moment before each shot to think clearly about what you are attempting to capture or create.The following guidelines are intended to help novice, non-artistic, and/or non-technical picture-takers immediately improve their photography.If you would like to:
Then read, study, and implement these simple guidelines.
Sailboat and Sunrise
Too Far Away
Sailboat and Sunrise
Becomes Better by Moving in Closer
Each time you spot a subject, snap a shot and then move in closer for a better shot. Having your subject almost fill the frame helps your viewer understand and appreciate your photo. Also, details are often more interesting than an overall view.
Keep moving in closer until you are sure the photo will successfully represent your subject.
If it is at all possible that your subject may move, bolt, fly away, stop smiling, or just get tired of waiting for you to take the picture, shoot once right away.
Practice getting quicker and quicker to the draw.
Do not worry about taking too many pictures and do not wait until you’re absolutely certain all the knobs and buttons are in their correct position.
As the motto of one of BetterPhoto old t-shirts states, “Shoot First, Ask Questions Later.”
Compose Your Picture with Care
Touch of the Past
Even if you don’t plan on selling your photo to the Smithsonian, make every effort to keep it balanced and beautiful. On one level or another, everyone responds better to a picture that has all elements in balance.
Strive to lead the eye along an interesting path through the photo, with the use of strong lines or patterns.
- Keep the horizon level;
- Crop out extra elements that you are not interested in (more on this is the next tip);
- Consciously place your subject where you think it most belongs rather than just accepting it wherever it happens to land in the photo;
- Play with perspective so that all lines show a pattern or lead the eye to your main subject;
- Work with the Rule of Thirds.
Detail Photo of French Breakfast
Discern what you are really interested in and center your efforts on getting the best photo of this subject, whether it a still life, your funny cat, your doggy, a friend, a family matter, a mood, a place or culture.
Then be sure to keep anything that would distract out of the picture.
The easiest way to do this is to watch your borders – the edges of the view you see through the camera’s viewfinder. Then recompose if anything – such as an unattractive telephone wire, an old soda can, a distracting sign, your finger, or your camera strap – hangs into your picture.
It can become more difficult if you want to, say, shoot a San Francisco cable car without a single distracting telephone line. But even in such a difficult case, you have many options.
- Focus in on a close-up that tells the whole story;
- Move around until you arrange the telephone lines into a neat pattern that leads to the subject; or
- Take a panning shot that makes the cable car remain in focus while the background goes blurry.
Panning Shot of a BicycleTip #5:
Focus on Your Subject
Practice shooting with different apertures and monitor the results afterwards to learn how depth-of-field affects your photo.
You will find that a smaller depth-of-field (and smaller f-stop #) focuses all the attention upon your subject. This is great for taking a picture of your child, your dog, or your husband – subjects stand out against a blurry background.
Likewise, you will find that a greater depth-of-field (bigger f-stop number) will make everything from here to eternity appear in focus. This will help make those landscapes fascinating and lovely.
You will also want to become familiar with the way your camera focuses. If it is a simple point and shoot camera, you will likely indicate which part of the picture to focus on by following these steps:
Portrait at Sunset
By this, I don’t mean look into the sun – no, that won’t do at all. But it is good to see what kind of light you are working with. Which way are the shadows falling? Unless you want a silhouette effect, where your subject is black against an interesting background, it’s generally best to shoot with the sun behind you.
How is the light affecting your subject? Is the subject squinting?
Is the light blazing directly and brightly upon your whole subject? This works well if you are in love with the bold colors of your subject.
Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts.
Lastly, indirect light can be used to make your subject glow soft and pretty.
Watch the Weather, Too
Red Skies at Night
Clear Blue Skies and a Polarizing Filter
Look outside and decide whether or not you are going to want to have the sky in your picture.
If it’s overcast, simply keep the sky out of your pictures as much as possible. This is usually the best way to avoid both muted tones in your subject and washed-out skies in your background. You might also find black and white pictures of an overcast day more pleasing than color.
When the day is beautiful, go ahead and make the most of it.
If your camera allows for the use of filters, purchase a polarizer. This will help you render deep blue skies against bright white clouds, richly contrasting colors, and other wonderful effects with a simple twist of the wrist.
Sometimes the simplest of tools work the best
While you may wish to have “all the bells and whistles” available just in case, you will probably get the best results if you do not try to use them all the time and instead learn a simple set up that works best for you in most situations.
This doesn’t necessarily mean keeping your camera set on “Program” – while this mode may be perfect in its simplicity, it may be frustrating in its tyrannical control.
Instead of relying on a fully automatic program, pick a simple, semi-automatic program such as aperture-priority and master shooting in that mode. Then, you’ll be able to control certain basics without letting the other basics control you, and thus keep that 150 page manual where it belongs – in your camera bag.
Tip: if you want one accessory, bring a tripod. This one item can solve camera shake issues and help you get beautiful evening shots.
Kayak in Monterey Bay
Risky But Worth It
Don’t allow yourself to be paralyzed by fears of using the wrong settings, or an non-politically-correct social policy.
If you are afraid of upsetting someone by taking their picture, just go up and ask if it’s okay. Ask them to sign a release and offer a print in return.
With wildlife, adopt a low-impact method when you go places where few photographers have gone before. For the above photos, I put my camera and telephoto in a waterproof bag and kayaked out into Monterey Bay. (Lawyer-talk: This can be dangerous – so be careful.)
Be wise… but be bold.
There you have it – basic but helpful, I hope. Now go out there, make some great shots, learn from the failures, and have fun.
May Your Photographic Path Be A Prosperous and Gratifying Adventure!